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8th Rencontres internationales du documentaire de Montréal

Sharing the passion for documentary!

An Audience and Industry Success:
13,000 filmgoers in Montréal,
an audience increase of 18%

Montréal, Monday, November 21, 2005 — After ten days exploring the world of documentary, the 8th RENCONTRES INTERNATIONALES DU DOCUMENTAIRE DE MONTRÉAL (RIDM) ended Sunday, November 20, 2005 against the delightful backdrop of Chairman George, a film by Daniel Cross and Mila Aung Twhin, attended by the filmmakers and George himself, who won over the crowd by climbing on stage to sing two of his hits in Mandarin and Greek.

Chairman George, which demonstrates the filmmakers’ keen observational gifts, introduces us to the little known and appealing George Sapounidis, multilingual pop star and “the only Greek in the world who can sing in Chinese.” As he beats the drum between China, Greece and Canada for a chance to perform, the film celebrates the kind of candour that persists amidst the chaos of globalization.

As part of the closing ceremony, the 2005 Audience Award, introduced last year, was given to two filmmakers: Leonard Retel Helmrich (Holland) for Shape of the Moon, a film about the daily life of a family in Djakarta, captured in telling detail by gifted camerawork; and Nadja Drost (Canada) for Between Midnight and the Rooster’s Crow, a denunciation of the destruction caused by a Canadian oil company in Ecuador whose operations cold-bloodedly devastated indigenous people’s land.

The final evening was also the opportunity for the Alter-Ciné Foundation, established in memory of Quebec filmmaker Yvan Patry, to disclose the names of this year’s grant winners. For the past five years, the Foundation has been awarding funding to young, independent filmmakers in Africa, Asia and Latin America to support the making of documentary films on rights and freedoms.

Film proposals from South African Miki Redelinghuys (US$10,000 for Keiskamma: A Magical Place and its People); Cameroonian Osvalde Lewat-Hallade (US$5,000 for Le bois des singes); Argentinian Dario Doria (US$5,000 for Angel Bertuzzi); and Indian filmmaker Nishtha Jain (US$5,000 for At My Doorstep) were selected from among the 154 proposals submitted from 28 countries. (For information on the Foundation’s grants program, please go to http://www.sextans.com/altercine/.)

Between November 10 and 20, RIDM filmgoers were treated to 117 films from 30 countries, enjoying great moments of cinema, reflection, and emotion along with lively discussions, in particular around the 19 films in the Iranian Close-Up. With 13,000 filmgoers in Montréal—an audience increase of 18%—this eighth RIDM was proof once again of the public’s continued enthusiasm for films that take them into the varied terrain of the cinema of reality, and their taste for diversity in documentary approaches.

Audiences thronged to the films in the official program as they did to those in the special programs and screening-discussions. More than 50% of the screenings were sold out, and the master classes, round tables, and public lecture drew 75% participation. More than fifty invited filmmakers from Québec, Canada, and other countries joined with audiences to discuss the issues raised in the films. The energy of those exchanges confirms the RIDM’s role as a vital meeting place for filmgoers and documentary film artists.

A brilliant success is the verdict on Doc Circuit Mtl, the first documentary market in Québec designed for professionals in the audiovisual industry. A joint initiative of the RIDM and Doc Québec, the event sold out before the 8th RIDM even began, bringing together more than 180 participants, and confirming the need for this kind of event in Québec. The Forum, an annual meeting on issues for the documentary community organized by the Documentary Network, brought together more than 150 people to look at the question of documentary distribution. SODEC took the opportunity to announce the creation of a consulting group on theatrical distribution of feature-length documentaries.

The RIDM’s first edition in Quebec City, hosted by the Musée de la civilisation from November 16 to 20, enjoyed a lively success, in particular among filmgoers aged 18 to 30 interested in the many issues around globalization and global justice movements.

One edition closes, and another begins. The ninth RIDM in Montréal is scheduled for November 9 to 19, 2006, along with a second edition in Quebec City.

The RENCONTRES INTERNATIONALES DU DOCUMENTAIRE DE MONTRÉAL wishes to thank the following organizations for their financial support and partnership: Société de développement des entreprises culturelles du Québec (SODEC), Telefilm Canada, National Film Board of Canada, Canada Council for the Arts, Ministère des Affaires municipales et des Régions, Conseil des arts de Montréal, Télé-Québec, CBC Television, Ville de Montréal, Ministère de l’Emploi et de la Solidarité sociale, Planète, Canal D, Documentary Channel, Technicolor, Développement et Paix, Droits et démocratie, Cinémathèque québécoise, Musée de la civilisation.

MEDIA: MARIE MARAIS, press agent
514-845-2821 / marais@cam.org

[7157] News posted Monday, November 21, 2005.

2005 Audience Award

As part of the closing ceremony, the 2005 Audience Award, introduced last year, was given to two filmmakers: Leonard Retel Helmrich (Holland) for Shape of the Moon, a film about the daily life of a family in Djakarta, captured in telling detail by gifted camerawork; and Nadja Drost (Canada) for Between Midnight and the Rooster’s Crow, a denunciation of the destruction caused by a Canadian oil company in Ecuador whose operations cold-bloodedly devastated indigenous people’s land.

[7158] News posted Wednesday, November 23, 2005.

Coup de cœur doc!

Afin de favoriser la découverte des films documentaires et de leurs auteurs par un large public, les Rencontres internationales du documentaire de Montréal s’associent à la tournée du Conseil des arts de Montréal en proposant 7 projections de films accompagnées d’une rencontre avec le cinéaste et des artisans du film dans les Maisons de la culture du grand Montréal. Une occasion d’échanger entre cinéastes d’ici, citoyens cinéphiles ou simplement curieux, autour de films qui soulèvent des questions de société, mais interrogent aussi notre regard et l’acte de création de celui/celle qui filme…

[7107] News posted Tuesday, September 20, 2005.

 

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